
Exclusive U-MOCO control
Max is operated through U-MOCO's cinema-focused software, giving our team a graphical environment for building repeatable paths around creative direction, talent marks, lenses, timing, and the live production.
Robot cinema / NationwideRed Carpet Robot Max is our premium KUKA KR10 R1440-2 experience for clients who want the glambot itself to feel like a high-end production. Operated exclusively through U-MOCO's cinema-focused control platform, Max combines visually planned, precisely repeatable camera paths with substantial staging, deeper technical preparation, 240 FPS capture, and a commanding presence before the first guest poses.

This is Red Carpet Robot Max as it is built for production: a cinema camera secured to the KUKA motion platform, supported by a dedicated operator console and a technical workflow designed around the programmed shot. The final camera, lens, rigging, and control package are scoped to the creative brief.



PlatformKUKA KR10 R1440-2
Capture240 FPS capable
Motion controlExclusive U‑MOCO workflow
OperationDedicated technical teamMax costs more because it is a larger creative and technical undertaking: commercial-level programming, previsualized movement, additional production control, premium staging, expanded logistics, and a more substantial operator workflow. The investment is designed to be visible in both the experience and the final movement quality.

Max is operated through U-MOCO's cinema-focused software, giving our team a graphical environment for building repeatable paths around creative direction, talent marks, lenses, timing, and the live production.

Faster industrial axes and highly controlled repeatability enable sweeping cinematic moves, confident acceleration, and a polished sense of scale.

U-MOCO path preview and cinematic motion shaping join dedicated operators, rehearsal, monitoring, lighting, safety planning, and staging for high-visibility moments where execution matters.

The KUKA robot, premium set, red carpet, controlled queue, monitors, and professional crew make the activation itself part of the spectacle.
Max deserves a production footprint that communicates its premium position and protects the planned camera path. The robot, pedestal, guest mark, operators, control console, red carpet, backdrop, stanchions, monitors, lighting, cable ramps, and queue should be designed as one integrated set.
01 / Backdrop + guest mark02 / Robot movement zone03 / Operator console04 / TV + sharing display
Core robot, mounted cinema camera, guest mark, controlled movement zone, and operator position.

Room for the premium backdrop, red carpet, stanchions, TV, lighting, console, crew, and smoother guest flow.

Machine specification—not the event safety boundary or total activation footprint.

The pedestal, mounted camera, cables, U-MOCO controls, and engineered safety plan require additional room.
Max is treated like a cinematic production. More planning and technical control create the complex repeatable movement, upscale staging, and confident live execution premium clients expect.
01We translate the brand, audience, styling, talent behavior, lens choice, and content goal into a specific cinematic movement brief.
02The robot position, mounted cinema camera, talent mark, movement envelope, premium backdrop, red carpet, queue, lighting, monitors, and operator zones are planned together.
03Our operators use U-MOCO exclusively to shape the KUKA platform's path, keyframes, timing, acceleration, smoothing, and camera orientation around the guest.
04At the dedicated console, operators test movement, focus, exposure, lighting, guest marks, safety controls, playback, and content handling before showtime.
05The team directs the group, clears the controlled zone, runs the mounted cinema camera through the programmed pass, and records the performance at 240 frames per second.
06Television playback, branded treatment, music, gallery, and sharing options turn each capture into content that keeps the event visible.
A recent S&S event featuring adidas branding shows the complete MAX promise: guests step into a directed, high-energy moment; the camera move turns that performance into polished slow-motion content; and BoothMeUp LV's technical team manages the production workflow behind the scenes.
Plan the shot ↗Red Carpet Robot Max is operated exclusively through U‑MOCO's film-production control platform. Its graphical workflow lets our operators plan repeatable camera paths, preview the robot's movement, refine keyframes, speed, acceleration, and smoothing, then tune the shot around the guest mark and production environment.

A graphical blueprint, timeline, and node-based workflow makes the intended shot easier to design, review, and refine.

Trajectory and robot-posture previews help the operator evaluate movement before a live guest enters the controlled capture zone.

Keyframes, curves, speed, acceleration, and smooth transitions turn an industrial robot path into expressive camera movement.

Scene previews and configured device integrations support the camera, lens, focus, and production-control needs of the selected build.
Manufacturer capabilities shown. The controls enabled for an event depend on the configured camera, lens, accessories, creative brief, and production scope.
Explore the official U‑MOCO operating system

MAX
Red Carpet Robot is owned and operated by BoothMeUp LV — Experiential Technologies, a Las Vegas-based creative agency producing interactive photo, video, AI, robotic, and custom-fabrication experiences nationwide.
Max is priced as a higher production tier. Commercial programming, deeper previsualization, more complex repeatable movement, larger logistics, a substantial control package, rehearsal, premium staging, expanded safety planning, and additional technical staffing all contribute to the final scope.
Both systems can capture at 240 frames per second. Max elevates the production through movement complexity, repeatability, camera-path control, staging scale, operator workflow, and the premium feeling created in the room. The right choice depends on the creative ambition—not one specification alone.
A 16-by-18-foot area is a useful starting planning envelope for the robot, controlled path, talent mark, and operator position. A 20-by-24-foot area is preferred for the premium backdrop, red carpet, stanchions, cinema lighting, TV, console, cable management, crew, and guest flow. Final dimensions follow the programmed move and venue review.
The six-axis industrial robot has a manufacturer-listed 1440 mm reach and ±0.04 mm pose repeatability. For Red Carpet Robot Max, those capabilities support the precisely repeatable camera paths and commercial programming workflow used to build premium cinematic movement.
Red Carpet Robot Max is operated exclusively through U-MOCO's cinema-focused robot operating system. The graphical platform supports visual motion design, 3D trajectory previews, keyframe and curve editing, plus speed, acceleration, and smoothing control for repeatable cinematic camera paths. Enabled camera, lens, and device controls depend on the configured production package.
Jr. is often the smarter choice when the event benefits from a smaller footprint, handheld programming, easier logistics, efficient onsite iteration, and a more affordable production path without requiring Max’s larger-scale movement and premium technical package.
Red Carpet Robot Max / Nationwide glambot experience